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musical harmony

[网络] 音乐和谐;音乐和谐性

网络

双语例句

  • Musical Aesthetic Viewpoints of the Harmony During the Period of Pre-Qin Dynasty Era
    先秦时期和的音乐美学观
  • Next, assumptions of principles of soundscape design is sketched based on musical aesthetic theory, and the variability, abundance and harmony of the soundscape is verified.
    之后根据音乐审美理论提出声景小品设计原则的假设,并对声景小品设计的变化性、丰富度、和谐度三个原则进行验证。
  • Are involved in the research process: musical form, harmony, piano accompaniment texture, form, mode and tone of the layout of the piano vocal melody and texture in the melody composed of two Vice-Ministry of digital audio technologies such as composition theory.
    研究过程中均涉及到:曲式,和声,钢琴伴奏织体形式,调式调性布局以及人声旋律与钢琴织体中副旋律所构成的二声部对位等作曲技术理论方面。
  • As the chakras of your body's system glimmer, their Light resonates a glorious musical harmony.
    由于你身体系统脉轮闪光,它们的光共振一个华丽悦耳和声。
  • The writer of this thesis holds that the artistic characteristic of 《 The Marriage of FEIGARO 》 lies in the full play of musical peculiarity given by Mozart, also the harmony of music and the expression and portray of the characters.
    本人认为,歌剧《费加罗的婚礼》的艺术特征主要在于莫扎特充分的发挥了音乐的独特特性,在语言的表达、人物形象的刻画、戏剧的展开等方面都具有与音乐相融合的特点;
  • The present writer analyses creation methods and artistic feature of this cycle by examples through studying the musical form, harmony, tonality and rhythm of this work.
    笔者通过对这部作品的曲式、节奏、复调写作等方面的研究,剖析了这部套曲的创作手法和艺术特色,为以后的演奏分析提供了理论支持。
  • His theories for musical composition consist of the principles for tonal material organization, application of harmony, the arrangement of tonality as well as analysis of works.
    兴德米特作曲技术理论包括了音高材料的组织原则、和声的运用、调性的安排以及作品的分析等等。
  • This part consists of six aspects of musical form structure, tonality, harmony texture, melodies, rhythm, sound. The part investigates the application of Hungarian elements through analyzing musical language of Hungarian rhapsody.
    这部分从曲式结构、调式调性、和声织体、旋律、节奏、音色,六个方面着手,通过分析《匈牙利狂想曲》的音乐语言特征,探究匈牙利民族元素在这部作品中的运用。
  • Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
    除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。
  • In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;